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CULTUREEDIT ART AUCTION #6
Maxim Bondarenko
Maxim Bondarenko, Rhododendron, 2024

Regular price $2,720.00

Details

Oil on canvas
18x24 in
The title playfully alludes to the vibrant energies and hidden depths explored within the work. "Rhododendron" represents a considered departure in Maxim's exploration of the human form, momentarily setting aside his signature optical illusion techniques to focus on a direct depiction of youthful male vitality. The painting presents primary (primal) colors - red, green, blue, explicitly enveloping shine of male body, evoking a connection between body and landscape that suggests an engagement with energy and physical presence. The artist identifies a subconscious resonance with Kuzma Petrov-Vodkin’s iconic 1912 painting “Bathing of the Red Horse,” recognizing in its composition and emotional tenor an echo of anxieties surrounding societal shifts – a connection that speaks to the enduring power of art to reflect cultural currents.

The work invites contemplation on themes of desire, vulnerability, and the body as both subject and symbol within a historically charged context. Further analysis reveals Rhododendron’s engagement with archetypal imagery: the garden as a locus of paradise lost/regained, moist as representing the unconscious, red as symbolizing passion or danger]. This interplay between personal expression and collective memory positions the work not merely as a portrait but as a some sort or "rude" meditation on transience of the always Present moment.

Ships from Sacramento, CA

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CULTUREEDIT ART AUCTION #6

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Maxim Bondarenko

Maxim Bondarenko is a Russian artist based in Sacramento, California. He was born in Soviet Union, and lived in Moscow before the country’s political climate turned increasingly repressive towards gay people. Max relocated to the U.S., where he rediscovered his creative inspiration. During his time in America, he had few collective exhibitions and one solo show in Sacramento in 2022. Maxim’s work is rooted in academic art traditions and Impressionism, with a deep focus on color. He views color theory almost like a religion—it’s central to his practice and the lens through which he approaches every piece, seeing evidence of the Transcendental in it. He is fascinated by the clashes between warm and cool values and the dynamic tension of complementary colors, which he believes hold a unique, almost spiritual power. In his love of paradoxes, he often commits to pointillistic analysis of ephemeral optical illusions applied to the male physique, contrasting this with the viscous, bright, and vivacious impasto qualities of his flowers - two favorite subjects. While his art celebrates the beauty and sensuality of color, he also invites the viewer to pause and reflect “between pixels.” He hopes his work offers not just a visual escape, but also a subtle commentary on reality and a resistance to conformity.

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