MARILYN MINTER, UNTITLED, 2019 Art Pillow for Henzel Studio
EDITION OF 999
PRINTED ON VELVET
SAME ARTWORK ON EACH SIDE
20 X 20 INS / 50.8 X 50.8 CM
UNIQUE ARTWORK FRONT AND BACK
FEATHER DOWN INSERT (OPTIONAL)
CURATED BY JOAKIM ANDREASSON
DESIGNED IN COLLABORATION WITH CALLE HENZEL
Henzel Studio’s ethos is based on the artistic practice of Calle Henzel, founder and creative director. Over the past twenty years, he has translated his artistic practice as painter and collage artist into the medium at hand, positioning Henzel Studio as one of the most progressive luxury rug brands in the world. The organic and artistic process of Calle Henzel has been the driving force in the development of Henzel Studio’s designs. He has over the years in an un-compromised fashion challenged the traditional conventions of subject matter, shape, finishings and special treatments as a result of painstaking research that includes vintage treatments, intricate surface compositions and even natural erosion – methodologies that further blur the distinction between art and design. Under the curation of Joakim Andreasson, Calle Henzel has collaborated with some of the most prominent names in contemporary art and artists foundations including Tom of Finland Foundation and The Andy Warhol Foundation for the Visual Arts. Since the launch of 'Henzel Studio Collaborations' at Barneys New York Madison Avenue in 2014 during Frieze Art Fair, Henzel Studio has developed art rugs with over thirty contemporary artists including Richard Prince, Helmut Lang, Jack Pierson, Nan Goldin, Scott Campbell, Richard Phillips, Marilyn Minter, Mickalene Thomas and Anselm Reyle. Via 'Henzel Studio Heritage' extensive collections have also been developed in collaboration with artist estates, that to date include Andy Warhol Foundation for the Visual Arts and Tom of Finland Foundation.
Photographer, painter, and video artist Marilyn Minter made an impact in the late 80’s with an unflinching series of paintings based on still images from hardcore pornography. Her body of work explores human desire and pleasure, and has evolved into a powerful vision of glamour and sexuality, degradation and triumph, dirt and luminescence. Although Minter’s work doesn’t intend to scandalize, it casually traverses a mixed realm of abjection, excess, and the visceral as a central aesthetic. Minter has a painterly sensibility and an anarchistic attitude, with a no-nonsense approach to often-delicate subject matters.